Contact gallery for price		Gaston La Touche French, 1854-1913 La Bienvenue Oil on panel 15 3/4 x 13 3/8 inches (40 x 34 cm) Framed: 23 1/2 x 21 1/2 inches Signed lower left: Gaston La Touche Inscription on the verso: La Bienvenue / par Gaston La Touche / 31 rue Dailly / Saint Could / (Seine sur oise) Provenance: Private collection, London Literature: To be included in the forthcoming catalogue raisonné on the artist by Selina-Baring MacLennan and Roy Brindley   Gaston La Touche, painter, watercolorist, and pastelist, was born in Saint-Cloud, Paris in 1854.  A self-taught artist, from childhood he was determined to be a painter and his well-to-do parents supported this ambition. His earliest paintings from the 1880s were grim scenes from the daily lives of miners and laborers, perhaps a nod to the social realism of contemporaries, like writer Emile Zola.  They were vigorous, harsh, and somber works that met with little success, and were subsequently destroyed by the artist. In the late 1880s, his friend Felix Bracquemond prompted him to discard his earlier style and to use the colors favored by the Impressionists.  Along with a new palette, La Touche adjusted his brushwork to small, petal-like strokes. In 1890, he showed Phlox and Peonies, both colorful scenes of women, children, and flowers, at the Societe Nationale des Beaux-Arts, bringing him immediate success. These works represented the beginning of a radical shift in his subject matter, palette, and technique. During the next six years, he gradually and steadily moved away from realism toward a greater sense of idealism, which became a hallmark of his oeuvre and set him apart from the Impressionists.  He created luminous and charming works of parks, gardens, nymphs, and fetes-champetres, revealing an underlying loyalty to French artists of the eighteenth century, such as Fragonard and Watteau. La Touche participated in shows mounted by the Societe des Artistes Francais in the 1880s and 1890s, receiving a Third Class Medal in 1884 and a Second Class Medal in 1888. In 1889, he was awarded a Bronze Medal at the l'Exposition Universelle and later received a Gold Medal at the 1900 l'Exposition Universelle. In 1900, he was decorated with the Legion d'honneur and was made an officer of the Legion in 1909. In 1908, an impressive retrospective featured over 300 of his works at the Galeries Georges Petit in Paris. In 1909, La Touche’s paintings were exhibited in another large show at Boussod and Valadon in The Hague. At this time, La Touche was awarded several official commissions for large-scale decorative schemes at various French ministries. These large canvases and murals are characterized by glowing colors and broad brushstrokes. His most well known works remain his light-filled garden and fetes-galants paintings, all completed with his trademark delicate brushwork and beautifully vivid palette. Our painting features a glimpse into a charming and playful garden scene from a play.  Under a colorful floral pergola flanked by two marble busts, a Pierrot figure with a guitar is seen kissing the hand of Columbine, a saucy and adroit servant girl. Both are stock characters from Comedia dell’Arte, a form of popular theatre that originated in the 16th century.  Comedia dell’Arte had become particularly popular in France by the 19th century, and many artists depicted scenes from the plays in their work; especially Antoine Watteau, whom La Touche had always admired. Columbine’s turned back, bare shoulders and colorful, flowing dress suggest an air of mystery and elegance.  She shyly holds an open fan to her face as Pierrot bends forward to kiss her hand.  A gardener in the background does not interrupt this tender, private moment.  Instead, he attends to the lush garden, which La Touche depicts with delicate brushstrokes that appear to flicker with vibrant movement on the canvas.  La Touche’s work is represented in the following European museums: Paris (Musée d’Orsay, Musée du Petit Palais, Musée de Saint-Cloud),Tourcoing, Rouen, Reims, Evreux, Flers, Alencon, La Roche sur Yon, Strasbourg, Marseilles, Versailles, Cambo, the Singer Museum (Laren), Brussels, Krefeld, Magdeburg, Prague, Genoa, Barcelona, St Petersburg and Odessa.  In the Unites States, La Touche’s work is in the collections of the the Dixon Gallery and Gardens, Memphis, Tennessee, The Toledo Museum of Art, Ohio, The Chrysler Museum of Art, Norfolk, Virginia, The Indianapolis Museum of Art, Indianapolis, The Walters Art Gallery, Baltimore, Maryland, The Dayton Art Institute, Dayton, Ohio, The Art Institute of Chicago, Chicago, Illinois, The New Orleans Museum of Art, New Orleans, Louisiana, Akron Art Museum, Akron, Ohio, Wadsworth Atheneum, Hartford, Connecticut and the Lyman Allyn Art Museum, New London, Connecticut.